Columbia College Chicago

Date: January 29, 2009
Time: 5:00 PM to 8:00 PM
Reception: Life Has Not Even Begun by Maria Magdalena Campos-Pons

One of the most important artists to emerge from post-Revolutionary Cuba, María MagdalenaCampos-Pons creates multimedia installations, large-scale Polaroids, sculpture, painting and performance that investigate history and memory, and their roles in the formation of identity. Drawing from her personal narrative as an Afro-Cuban woman living in the United States, Campos-Pons’ work transcends individual experience to explore crosscultural, universal phenomenon. Issues such as cultural hybridity, displacement, ties to family and home, and the dualities present in each individual are themes that continue to permeate her work.

In this new body of work, Life Has Not Even Begun captures the anticipation and tension inherent in exploring the unknown. From the artist re-discovering her Chinese ancestry, to her intensive study of midnight-blooming flowers, to the unexposed horrors of war, to the future of an imagined peaceful world, each work in this exhibition makes its own unexpected revelation.

Location: 1104 South Wabash Avenue, Floor 8 / Film Row Cinema

Fleming Museum - University of Vermont

More than Bilingual: William Cordova and Major Jackson
January 27 - May 10, 2009
Wolcott Gallery

Although Peruvian-born visual artist William Cordova and African-American poet Major Jackson come from divergent backgrounds, both artists find inspiration and common ground in music, literature, and the urban aesthetic. Cordova's mixed-media drawings and his installations of discarded stereo speakers and record albums allude to modern urban subcultures as well as to his memories of Peru. Jackson's poetry explores race and language, and ways in which language can both perpetuate cliched attitudes and foster new ways of thinking.Individually and collaboratively, their works celebrate and critique how cultural territories are dispersed, redefined, and transformed in urban settings.

The tradition of poet-painter collaborations flourished in New York City in the late 1950s and early 1960s. Although this creative practice diminished in later decades-in part because the artistic movements of Minimalism, Conceptual Art, and Earth Art seemingly offered less scope for poetic collaboration-it is now enjoying a resurgence. The Fleming Museum is pleased to participate in this movement by bringing together for the first time William Cordova and University of Vermont faculty member Major Jackson, longtime admirers of one another's work.

The exhibition is timed to coincide with the 35th African Literature Association (ALA) conference, which focuses on the ways creative writers and artists from other cultural traditions imagined Africa and blackness in the past as well as the extent to which that imagining has evolved and can be said to foster inter-subjective dialogue in the age of globalization. Through our own programming, and partnering with ALA participants' as well as members of the Latin American Studies program at the university, we aim to explore avenues of critical dialogue emerging from the work of this creative pairing of artists.

Please join us on Thursday, April 16 at 8:00 PM for a special evening of poetry in memoriam Aime Cesaire hosted by the Museum in association with the ALA Conference.

It's a New Day

Be The Change You Want To See



It's a New Day

Take a Look, Take Your Time

The summer has been busier than expected and I haven’t been able to post anything but I received a link to this art piece that I think everyone should check out. It’s a work by Lauren Woods and William Cordova and true to Cordova’s form the work is pertinent, thoughtful and approachable. As always, feel free to post comments.

October Blue Suite

What Do You Think?

An art “authority”, curator / historian / instructor, said or at least implied that there was no disparity within mainstream art establishments and art media between African American artists that produce representational work with overt racial subject matter and African American conceptual artists (or artists from any other genre) that produce work without strong racial overtones, if any at all. I wonder if that’s true.

Artists To Look At

Curated by
Dawoud Bey



March 28 - May 3 2008



Opening Reception
Friday 3.28.08, 5 - 8 pm
artist talk @ 6 pm

Gallery:
362 Boylston St.
Brookline, MA 02445

FEATURED ARTISTS
Howard Henry Chen
Alan Cohen
Christine DiThomas
Aron Gent
Rula Halawani
Surendra Lawoti
Curtis Mann
Oscar Palacio
Adriana Rios

FRESH PRODUCE
Nahna Kim

www.397.pair.com/gasp1/index.html

Call For Papers

W.E.B Du Bois Institute for African
and African American Research / Harvard University

and

M I C A

Maryland Institute College of Art

co-sponsored with the

Reginald F. Lewis Museum
of Maryland African American
History and Culture

will host the 3rd Conference on African American Art
Baltimore, Maryland

NOVEMBER 13 – 15, 2008
“TRANSFORMATIONS / New Directions in Black Art”
CALL FOR PAPERS
Deadline: August 30, 2008
__________________________________________________

forward to:
Dr. Leslie King-Hammond
lkingha@mica.edu